Charley's is my kind of place - Willie Nelson

 

Take a step back in time and find true Aloha.

Charley's Restaurant and Saloon, established in 1969, is an award-winning, Maui Landmark.

Charley’s is a reflection of the culture of Maui, the essence of its foods, and the warm spirit of entertainment and Aloha.

We welcome you to a favorite community gathering place and celebrated destination spot.

Charley’s is located in Paia, Maui, Hawaii; a former sugar-plantation town that serves as the crossroads to the North Shore of Maui.  Known for its large waves and ideal conditions for surfing, windsurfing and kite-boarding, the North Shore of Maui is a water playground. The North Shore is also known for its rainforests, waterfalls and hiking.

Paia maintains its small-town, old Hawaii charm, and is now a bustling destination with restaurants, bars, shopping, coffee and gelato.

At Charley’s you never know who might be sitting next to you. It’s long been a favorite hang-out for surfers, adventurers, writers, hippies, rock stars, artists, business leaders, celebrities, and all types, looking to get away and find the ultimate in Maui hospitality.

Willie Nelson’s Favorite Spot on Maui! See him at work at Charley’s here!

Boys School

Boys School 1 Photo

Recognized as one of the most skilled and original guitar players amongst the Los Angeles music scene, Detroit native Brett Farkas has been a major contributing force, playing for such influential artists as Aaron Embry's psychedelic indie outfit, Amnion, legendary soul music icon, Solomon Burke (of whom he was nicknamed, "Cookieman") and most recently, acclaimed folk rockers, Lord Huron. After two years of heavy touring with Huron and masterminding the guitars on their breakthrough album, Farkas steps out to front Boys School, and delivers an exuberant, self-titled, debut album of sneering rock n' roll, addictive pop and thoughtful ballads. True to the ethos of its name (if not gender specific), Boys School may have started as Farkas' unique vision, but it is infused with a communal energy, featuring luminaries from within the Cookieman's circle, including Stella Mozgawa (Warpaint), Aaron Embry (Edward Sharpe and the Magnetic Zeros, Elliott Smith), Andy Clockwise, and producer Luke Adams. With particular nods to early Elvis Costello, the Clash, Spoon and Harry Nilsson, and not to mention a wicked obsession for the savory sounds of the Swedish death pop supergroup, ABBA, the Boys School album clocks in at a brisk 34 minutes, yet it embodies a wide inclusiveness of inspiration - from early rock n roll, 70's glam and punk, to 90's college radio and the traditional song-smithery. Songs alternate between high charged abandon and meditative plateaus, often within the same tune, a testament to Farkas' strong belief in multi-faceted musical exploration. Lyrics navigate the pressure and release of frustration and heartbreak, coupled with wary hope and near manic longing for freedom, all snaking their way through a colorful, sometimes sunny, sometimes snarling, and often humorous landscape. There is something undeniably, adolescently fun about Boys School, though a fun that's tempered by a very grownup sense of foreboding and a very old school appreciation of spirited musicality, especially felt in their live shows. In a an era of bands attempting to mimic their own recordings in live performance, playing along to pre-recorded tracks, Boys School takes the old road to reach new destinations. "Musicality is being in the moment, playing the song to the means and capabilities of the group, and taking it to new places every time. And that's all that matters, that there's risk and intention behind it, energy. Nobody's gonna miss a thing if you're playing hard. And I mean "hard" not like loud and heavy, but intensely focused and giving everything that you've got."

 

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